Literary Scout
Book Review

Kinfolk Island

Rating
1/5 stars

Kinfolk Island is a satirical horror novel about Black nostalgia, ancestry, creative hunger, family legacy, and the danger of mistaking belonging for freedom. It begins like a restorative retreat story and turns into a cult-island nightmare: an exclusive Black “ancestral retreat” off the North Carolina coast is not simply a safe haven, but a feeding ground for an old force that gives people exactly the kind of ancestral comfort they most desperately want.

The prologue starts on Day Four, with Sage standing in front of flames while Josie Lovejoy urges her to jump. Sage is supposed to be taking the final step into the island’s promise. She has been told that everything she suffered before arriving can be remade here. But then one word breaks through her trance: “Pigpen.” It is the cruel nickname from her childhood, the name that reminds her of the sister and life she left behind. Josie knows the name too. She whispers about Sage’s shame, her longing, and what the island has given her. When Sage tries to run for the ferry, the island’s voice stops her: “You owe us, Sage.”

The main story begins with Maxine Samuels and her boyfriend, Teddy Kincaid, on a ferry from Port Wilmington to Kinfolk Island. Maxine is thirty-five, a Brooklyn barista and manager at Rise & Grind, obsessed with old soul music, vintage Black culture, and the idea of a richer past. She is the daughter of Vita Vernon, a famous Black artist whose career and ego have always overshadowed her. Maxine feels stuck: she wants a new life but does not know what shape it should take. Teddy is a history teacher and writer, working on a book about Black family lore. He is more ambitious, more career-focused, and more anxious about the future than Maxine. They love each other, but their relationship has become a series of small evasions.

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