Literary Scout
Book Review

Miss Archer

Rating
1/5 stars

Miss Archer is a derivative dystopian literary-sci-fi novel that tries to combine The Handmaid’s Tale, Westworld, Never Let Me Go, Jane Eyre, The Truman Show, and a prestige-TV clone experiment, then expects the reader to treat the mixture as more original than it is. The book’s big idea is that a future artificial/intelligence ruling class has nearly ended ordinary human reproduction, herded organic humans into prison-like “Squares,” sterilized girls at puberty, and started recreating geniuses from the past. The specific genius here is Albert Einstein, cloned into multiple little boys called Albie, each raised inside an elaborate fake nineteenth-century environment so that he might become Einstein again.

The novel opens with Dre, Andrea Archer, being interviewed by Mrs. Greenleaf, an “ambassador” from the outside world, in the red dirt of the Squares. Dre lives in a fenced compound with her mother, her sister Iris, and two adopted twins. The Squares are a familiar dystopian holding pen: overcrowded towers, scarcity, airdrops of ancient processed food, communal plots, social ranking, punishment zones, and sterilized women who are told not to imagine children. None of this feels fresh. It is the usual future-collapse toolkit, with the usual bureaucratic cruelty and the usual class divide between the imprisoned poor and the elegant collaborator class.

Mrs. Greenleaf is searching for a young woman to become governess to a child named Albie. Dre answers questions with defensive wit, including that she likes children “the ones that don’t bite.” She is chosen partly because she reads, knows math, loves the past, and is young enough to be shaped. The bargain is crude: if Dre takes the job, her family gets moved from the Squares to a real house with land. This is meant to be morally uncomfortable, but the setup is too schematic. Dre leaves poverty for a gothic mansion; her family gets a cottage; the rich collaborator speaks in polished menace; the poor girl is both suspicious and seduced. The machinery is visible from the first pages.

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